[From the introduction to The Fish Jumps Out of the Moon]
Like the Japanese masters, Charles had an expressly non-theistic worldview. He had no time for a “too-small god.” Those who knew him saw him as a naturally “spiritual” person. Loved ones and casual acquaintances commonly described him as the most generous, patient, and persistently joyful person they had ever known. Charles found rich pleasure in providing joyful experiences for others, most often by helping them see a bit of Nature’s beauty or drama in the park. He spent long days in the spring at the “hawk bench” near the model boat pond on the park’s east side. He reveled in bringing the famous nesting Red-tailed Hawks of 5th Avenue to the attention of dozens of passersby, employing his considerable knowledge and eloquence to engage and amaze. This exuberance is evident in Charles’s writing and he made gifts of his haiku and photos to commemorate special, common experiences.
Charles delighted in bringing his Iowa roots [and our family's history] into shared study of urban nature. It was part of his infectious charm.
the sweetcorn
planted next to the back door
mom understood
thinning tiny carrots
while lying between the rows
childhood job
reed riders
my father loved you too
redwings
[From the body of The Fish Jumps Out of the Moon]
the moon
paints so beautifully
tonight
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Anyway, you must sit here and watch her weave that web and you’ll see why I believe that spiders know Chopin. It’s so, well, musical sitting here watching Diadematus sing and dance.
watching the dance
dreaming
a spider song
watching the dance
dreaming
a spider song
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